Swing Dance Meditations: Part 3
My Lent this year took an ironic turn. At the same time while I was screaming into the void saying "I am not in the wrong, my ex is; I want to become everything my ex didn't want me to become" I was also getting my shit called out in the dance floor, and somehow liking it very much.
For Lent, I wished for the harsh inner voice within me to be excised forever from me, but my teachers and my friends on the dance floor instead told me instead that the Harsh Inner Voice is good, because it drove them to improve their dance. I recalled that the Harsh Inner Voice has been, in my own past, a helpful voice. What has gone wrong since that time?
The harsh inner voice I wanted to excise said "you are not good enough", but the harsh inner voice that helped my friends along said "you can work on it here, here, here, and here". It helped that people said the latter out loud to me, in person.
In boxing class, we worked the bags repetitively, and every session I focused on something different. One day it would be shielding my face, the other day it would be posture, and the day after it would be which knuckles to land on... All these work by the fact that I am breaking one big task into small manageable tasks. Dance practice, from some angles indistinguishable from boxing practice, is very much the same deal: one day to focus on etiquette, one day to focus on switching between modes, and other days for other techniques, and so on.
Here I list some things that I have focused on in the past year. Since dance skills are often also life skills, these could help me become a better person overall:
Confidence. Ask her for a dance. Ask him for a dance. Deal with rejection and heartbreak. Try new moves from the last class. Try to make up some bullshit moves. Follow through with the bullshit moves.
Situational awareness. The dance floor is crowded; move to a safer spot. Don't let you partner bump into other people. Listen for movements in the music. Be ready for surprises.
Empathy. Watch out for signs of distress or other changes in mood in your partner. Look out for people who look like they might like a dance. Do simpler moves with beginners. Be kind. Build each other up. Appreciate that people are all kinds of different. Accept them in all their differentness.
Communication. Forming an intention. Communicate by touch. Be clear and firm. Move into a light dance mode where a verbal conversation can happen (I like this).
Ego death. Accept constructive criticism. Ask for criticism. Prioritise the partner's quirks over showing off own moves. Give partners credit for a good dance. Learn from other dancers on the dance floor. Be open-minded.
Self-care. Hydrate adequately. Take breaks (you have to do this yourself, because everyone and everything else can only push you to dance harder).
Self-knowledge and humility. What are my own preferences? What are my own boundaries? How do I play to strength? What are my deficiencies? What do I focus on next?
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With my sister at the Halloween Party, Swingstation, October 2024 |
FOOTNOTE: I would advise newer dancers (and my coaches would say the same) not to presume that your dance partner would remember or even be aware of your mistakes when you make them. The prevailing culture is that whenever something feels stuck, everyone defaults to blaming it on themselves. The implication is that everyone is more focused on themselves than on you than your anxiety-warped brain might imagine, and that in the end we all become our own worst critics. However, it would be a mistake to say that no one remembers the dance; I remember a lot of dances, most of them because they were very good.
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