Last night I wrote about the worst feeling in the world. Today, let me write about the best one.
The best feeling in the world is overwork. The ideal amount of overwork one requires in order to reach ecstasy is an idea which is easily understandable by relating to the ideal amount of alcohol one requires in order to become happily tipsy.
The ecstasy comes when the work absorbs the worker in his entirety, inundates him and dissolves away his worldly worries, his self-awareness and his doubts. It is when every fibre of muscle and every neuron in the body are fired up, are turned on, are gathered in a concerted effort, each one not for itself, but for a purpose greater than itself. It is in this coherent display of power that one feels the most alive; the same exertion that in the same person may be interpreted as suffering.
Pure suffering, pure joy, in the same exertion.
The best feeling in the world is to lose oneself, to forget about the fact that one exists in this world or any other; to lose all concern about oneself, because there is no self.
Sunday, October 14, 2012
Cactus Thieves
Two years ago I was at Taman Mas Kuning. There at one of the houses (Taman Mas Kuning is uptown West Coast) the owners reared cactus by the fence. When I walked past there were two workers on leave who were idling around also, and a piece of pear cactus was sticking out through a gap. I heard one of them say to the other that pear cactus were very valuable, and one could start a neat crop from a single stem. So they cut it off and took it away. I watched them as they did it, but when they looked back at me, I shrank away. I was ashamed of myself for days. It was the worst feeling in the world, the feeling one gets to see wrongdoing without doing anything about it.
Saturday, October 13, 2012
Grammar Experiments
1a. Referring to couples in the singular third person
1b. Referring to close friends and relatives in singular second person
I call this the familial singular. In usage, the desired effect is to give an impression as close as possible to lolcats. In principle, the purpose of the familial singular (third person) is to indicate closeness in the couple, to the extent that they behave as a single person in all settings, and the purpose of the familial singular (second person) is to reinstate the formal-informal second person distinction which we can still see in French and German but has long been considered archaic in English. For example, it has become the usual practice to use the word Dadmom to refer to my parents; we wonder aloud to each other, whenever my siblings and I meet, that Dadmom is going to be home soon. Also when I greet my siblings I say How is you! because informal.
In the French language, the informal second person is used to address God in prayers. In English the equivalent is thou, which in the modern age sounds more snooty than familiar, and too aloof to be fitting for someone with whom your relationship has to be personal. O Lord, You is seated at the right hand of the Father, receives our prayer.
2. Pronouncing words with voiced consonants only
Diz iz juz vor zounding zdupid. I do diz onny wen bored, or wen my zizder veelz lige a lav.
Alternatifely, chanchink all te consonants to harter ones can pe tone put toes not vork so vell.
3. Shortening long vowels for emphasis
Vowels are usually lengthened for emphasis, because louder and longer sounds command more attention. But what if you want to inspire surprise? What if you want the superlative to be less of a long and violent earthquake, but more of a sharp intake of breath, followed by a lingering feeling of being let down?
I call this the dimunitive superlative. For example, the dimunitive superlative for manly is muhn. When I tell someone You're the muhn! I mean to say that he is the manliest, but it sounds more sarcastic.
4. Using French grammar in English
See this article.
5. Discarding the future tense
An American Economics professor, in an uncharacteristic case of sticking his nose into a field he has no business in, has said that using the present tense for the future makes Finns more frugal and forward-looking than, say, people from France, who use a future tense. I would love to stop and wax lyrical about the honest and hardworking Finnish nation whom I have had the pleasure of staying with the whole summer, but now the more important question is What if English uses it?
Tomorrow, I am going for guitar practice at school. Afterwards some of us have dinner at Hwang's at UTown. Next Sunday, our concert takes place at UCC Theater, with tickets selling at $14 a seat. This actually sounds normal. Let's try it again.
Ah! I have forgotten my assignment is due soon! I die! Tomorrow I have four labs in a row and six vivas. I never come back to see my family again! O cruel fate, my grades deprove! Eventually the world comes to an end; it is my only solace.
Time to sleep.
1b. Referring to close friends and relatives in singular second person
I call this the familial singular. In usage, the desired effect is to give an impression as close as possible to lolcats. In principle, the purpose of the familial singular (third person) is to indicate closeness in the couple, to the extent that they behave as a single person in all settings, and the purpose of the familial singular (second person) is to reinstate the formal-informal second person distinction which we can still see in French and German but has long been considered archaic in English. For example, it has become the usual practice to use the word Dadmom to refer to my parents; we wonder aloud to each other, whenever my siblings and I meet, that Dadmom is going to be home soon. Also when I greet my siblings I say How is you! because informal.
In the French language, the informal second person is used to address God in prayers. In English the equivalent is thou, which in the modern age sounds more snooty than familiar, and too aloof to be fitting for someone with whom your relationship has to be personal. O Lord, You is seated at the right hand of the Father, receives our prayer.
2. Pronouncing words with voiced consonants only
Diz iz juz vor zounding zdupid. I do diz onny wen bored, or wen my zizder veelz lige a lav.
Alternatifely, chanchink all te consonants to harter ones can pe tone put toes not vork so vell.
3. Shortening long vowels for emphasis
Vowels are usually lengthened for emphasis, because louder and longer sounds command more attention. But what if you want to inspire surprise? What if you want the superlative to be less of a long and violent earthquake, but more of a sharp intake of breath, followed by a lingering feeling of being let down?
I call this the dimunitive superlative. For example, the dimunitive superlative for manly is muhn. When I tell someone You're the muhn! I mean to say that he is the manliest, but it sounds more sarcastic.
4. Using French grammar in English
See this article.
5. Discarding the future tense
An American Economics professor, in an uncharacteristic case of sticking his nose into a field he has no business in, has said that using the present tense for the future makes Finns more frugal and forward-looking than, say, people from France, who use a future tense. I would love to stop and wax lyrical about the honest and hardworking Finnish nation whom I have had the pleasure of staying with the whole summer, but now the more important question is What if English uses it?
Tomorrow, I am going for guitar practice at school. Afterwards some of us have dinner at Hwang's at UTown. Next Sunday, our concert takes place at UCC Theater, with tickets selling at $14 a seat. This actually sounds normal. Let's try it again.
Ah! I have forgotten my assignment is due soon! I die! Tomorrow I have four labs in a row and six vivas. I never come back to see my family again! O cruel fate, my grades deprove! Eventually the world comes to an end; it is my only solace.
Time to sleep.
Saturday, October 06, 2012
Christopher Walker
Christopher Walker, who composed the Celtic Mass and a bunch of other things, is holding workshops at Saint Mary of the Angels. On Friday I skipped school mass to attend it. He was a stout guy with a propensity towards talking too much nonsense. We sang and we laughed and we cried. Then I sang one for my late grandfather.
Friday, October 05, 2012
Den Förtrollade Barnaföderskan
Det ståndar en lind allt sunnan under by
~ Allt under den linden så grön ~
Där ståndar en jungfru, hon borstar sitt hår
~ I riden så varligt genom lunden med henne ~
Hon trolovade så granner en man
Den unge herr Olof, det hette han
Liten Elin hon spörjer sin svärmoder om råd
"Huru länge skall kvinnan med barnet gå?"
"I fyrtio veckor på åttonde år
så länge ska du med det barnet gå!"
De klädde på Elin en silkessärk
Hon gick uppå loftet med så mycken värk
Herr Olof han spörjer kär systeren sin
"Ack, ville du nu hjälpe allra kärestan min?"
Systeren gångar till brudekiste
Så gör hon två vaxdockor, allt med stor liste
Så sveper hon dem uti vitan lin
Hon bär dem i loftet för moderen sin
"Ack, kära min moder, låte fara eders harm
I tage eders gossebarn uti eders arm!"
"Jag haver förtrollat båd himmel och jord
förutom det ställe där brudkisten stod!"
Så breder de kisten med silketyg blå
där föder liten Elin de sönerna två
Det gjorde herr Olofs moder stor nöd
~ Allt under den linden så grön ~
Så snart blev hon utav den harmen död
~ I riden så varligt genom lunden med henne ~
A third interpretation is done by Ale Möller, Lena Willemark and Per Gudmundsson, but the video is unavailable.
~ Allt under den linden så grön ~
Där ståndar en jungfru, hon borstar sitt hår
~ I riden så varligt genom lunden med henne ~
Hon trolovade så granner en man
Den unge herr Olof, det hette han
Liten Elin hon spörjer sin svärmoder om råd
"Huru länge skall kvinnan med barnet gå?"
"I fyrtio veckor på åttonde år
så länge ska du med det barnet gå!"
De klädde på Elin en silkessärk
Hon gick uppå loftet med så mycken värk
Herr Olof han spörjer kär systeren sin
"Ack, ville du nu hjälpe allra kärestan min?"
Systeren gångar till brudekiste
Så gör hon två vaxdockor, allt med stor liste
Så sveper hon dem uti vitan lin
Hon bär dem i loftet för moderen sin
"Ack, kära min moder, låte fara eders harm
I tage eders gossebarn uti eders arm!"
"Jag haver förtrollat båd himmel och jord
förutom det ställe där brudkisten stod!"
Så breder de kisten med silketyg blå
där föder liten Elin de sönerna två
Det gjorde herr Olofs moder stor nöd
~ Allt under den linden så grön ~
Så snart blev hon utav den harmen död
~ I riden så varligt genom lunden med henne ~
A third interpretation is done by Ale Möller, Lena Willemark and Per Gudmundsson, but the video is unavailable.
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